44 Thematic Chapter: Reading Literature

Reading literature can be a bit more involved than reading expository writing. There isn’t always a set format for how a story is put together. However, there are some common ways of analyzing a piece of literature.

Below are a number of links to some short stories. With a partner, choose one. You will have to sign up for the Narrative Magazine, but it is free.

A Matter of Vocabulary

A STORY BY JAMES ALAN MCPHERSON

https://www.narrativemagazine.com/issues/stories-week-2018-2019/story-week/matter-vocabulary-james-alan-mcpherson

A Small Blip on an Eternal Timeline

A STORY BY IFEOMA SESIANA AMOBI

https://www.narrativemagazine.com/issues/winter-2020/fiction/small-blip-eternal-timeline-ifeoma-sesiana-amobi

Afterlife

A STORY BY ALICIA GIFFORD

https://www.narrativemagazine.com/issues/stories-week-2008-2009/story-week/afterlife-alicia-gifford

Fathers and Sons

PATHVIEW, ALABAMA, 1981 BY JEFFREY COLVIN

https://www.narrativemagazine.com/issues/fall-2005/fiction/fathers-and-sons-jeffrey-colvin

John Redding Goes to Sea

A STORY BY ZORA NEALE HURSTON

https://www.narrativemagazine.com/issues/stories-week-2016-2017/story-week/john-redding-goes-sea-zora-neale-hurston

Night Watch, 500 BCE

A STORY BY CHARLES JOHNSON

https://www.narrativemagazine.com/issues/18-lies-and-3-truthssummer-2007/fiction/night-watch-500-bce-charles-johnson

The Black Hole

A STORY BY PATIENCE WALLACE

https://www.narrativemagazine.com/issues/spring-2020/narrative-tell-me-story-high-school-contest/black-hole-patience-wallace

The Story of a Scar

A STORY BY JAMES ALAN MCPHERSON

https://www.narrativemagazine.com/issues/spring-2016/classics/story-scar-james-alan-mcpherson

Toggling the Switch

A STORY BY ALICIA GIFFORD

https://www.narrativemagazine.com/issues/fall-2004/fiction/toggling-switch-alicia-gifford

Underaged

A STORY BY AVIANCA JACKSON

https://www.narrativemagazine.com/issues/spring-2019/narrative-tell-me-story-high-school-contest/underaged-avianca-jackson

What We Left Behind

A STORY BY MŨTHONI KIARIE

https://www.narrativemagazine.com/issues/stories-week-2012-2013/story-week/what-we-left-behind-muthoni-kiarie

Women from Mars

A STORY BY WESLEY BROWN

https://www.narrativemagazine.com/issues/winter-2006/fiction/women-mars-wesley-brown

The Devil in America

Kai Ashante Wilson

https://www.tor.com/2014/04/02/the-devil-in-america-kai-ashante-wilson/

Spider the Artist

by NNEDI OKORAFOR

http://www.lightspeedmagazine.com/fiction/spider-the-artist/

Sweetness

By Toni Morrison

https://www.newyorker.com/magazine/2015/02/09/sweetness-2

Read through the short story as a Subjective Reading, meaning, pay attention to the feelings a story gives you when you read it. When you read subjectively, you follow your intuition about characters and plot points. Make a few notes as you read about how you feel. What’s the mood? What’s the tone?

After reading, with another student, compare notes.

What’s the tone of the story?

The attitude writing can take towards its subject or audience. Tone generally applies to specific sentences or paragraphs, not to the text as a whole.

What’s the mood of the story?

The general feeling the reader gets from the story.

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Critical Literacy III Copyright © by Lori-Beth Larsen is licensed under a Creative Commons Attribution 4.0 International License, except where otherwise noted.

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